Once you are experienced, and looking to create the highest quality of feature film animation, 16 field is the better option. I still work on 12 field paper at times because the ease of flipping on it allows you to work faster.

Flipping technique can get sloppy with 16 field paper, so it’s important you learn it properly on manageable sized paper. If you are aiming for the highest quality of animation, you can not rely on your backlight or onion skinning, you need to flip CONSTANTLY as you work. Once comfortable, it is easier to transition to 16 field, but it’s important to learn how to do this properly. Mastering this technique is far better on 12 field paper.

For more information on flipping, check out my flipping tutorial.

There are flipping options in software packages, but they do not translate as effectively or work as fast and concisely as with paper. The main reason that I prefer paper over digital is because you can flip your paper as you draw. To start, it is significantly more affordable.Īlso, when you are not as experienced an animator, 12 field helps when you are learning to flip paper. When you are learning, I highly recommend 12 field paper.

Paper and pencil animation